... Will is soon joined by his wife, Kim (Riley Keough), and their three-year-old son. Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son, but this will soon be put to test when a desperate… It Comes at Night (2017) directed by Trey Edward Shults • Reviews, film + cast • Letterboxd (Getty Images, Elevation Pictures/graphic by CBC) “The alcoholic family meltdown movie for the ages,” I continued, and, having seen the film now twice, […] A huge thing is not wanting regrets and not holding onto baggage. Then one day, when I was older, he opened up to me, and was vulnerable, and told me things he had never told me before. 3:56 Waves has had a pretty good run so far. He was raised from a young age by his stepfather and mother, both psychotherapists, who kindled his interest in human fallibility. The filmmaker Trey Edward Shults thinks a lot about families. Speaking with writer-director Trey Edward Shults and actor Kelvin Harrison Jr. about their new movie Waves, the matter of authenticity keeps coming up.They speak about it … It was all in collaboration. Imagine the end of the world— Now imagine something worse. I was depressed after “It Comes at Night.” I thought that what I cared about in that movie no one had felt, and the people that probably would have connected with it didn’t see it. Encuentra fotos de stock perfectas e imágenes editoriales de noticias sobre Trey Edward Shults en Getty Images. We’ve said too much already. You could also do it yourself at any point in time. What am I doing? Waves director Trey Edward Shults and star Kelvin Harrison Jr. discuss the film and whether a white director can tell black people's stories. Trey Edward Shults doesn’t want to spoil Waves. Joel Edgerton’s Paul has established a safe corner of the world with his wife Sarah (Carmen Ejogo) and son Travis (Kelvin Harrison Jr.), living in a boarded up house in the woods and sticking to a strict regiment in order to not get sick. So I did ask myself, “Is this healthy?”. I wanted to make a movie about what it’s like to go through something hard and then come out the other side — how unpredictable that can feel, especially when you’re in it. The first focuses on Tyler, a determined but volatile high-school wrestling prospect, and the second on Emily, his soft-spoken and emotionally adrift younger sister. The movie seems to be asking, “What happens when we have the courage to open up to the people that we’re closest to? It’s weird to relive the most traumatic thing in your life, it just gave me an all-consuming sense of dread. To even begin to describe its unconventional structure would be a spoiler. That was in the first outline, with the idea of a brother and a sister and two relationships. It seems so simple but it’s not. One must wonder then how the people behind it coped with such emotionally draining work. And there’s a reason for his nightmares. Confronting mortality like that, did it set a fire under you as well? He is best known as the director and writer of the drama Krisha (2015), the psychological horror film It Comes at Night (2017), and the critically acclaimed drama Waves (2019). You’ve said that your father’s death changed you. You worked with Kelvin before on “It Comes At Night.” What was it like collaborating with him this time? And, believe him, he has tried to explain, including to his stepfather, who will call after watching one of his movies to ask whether everything is O.K. On every movie I make, I always want the actor’s input. Something that popped into my mind is how young you are, and how prolific you’ve been. I will never forget the way I felt when I saw Trey Edward Shults' directorial debut, Krisha . This is the worst feeling in the world.”. Explore the latest videos from hashtags: #treyedwardshults, #shedwards_ . Eight months before we started shooting, I sent him an early version of the script and he gave me notes and we just kept working on it. [Shults’s first film, “Krisha” (2015), which starred members of his real family, portrayed an alcoholic’s relapse at Thanksgiving.] We just kind of fell in love on the last movie and loved working together. They too became a family. It started with a personal place, and I just wrote through there, and that kind of guided me. Really? Weitere Informationen darüber, wie wir Ihre Daten nutzen, finden Sie in unserer Datenschutzerklärung und unserer Cookie-Richtlinie. Award-winning filmmaker Trey Edward Shults follows his incredible debut feature KRISHA with IT COMES AT NIGHT, a horror film following a man (Joel Edgerton) as he learns that the evil stalking his family home may be only a prelude to horrors that come from within. How? I told him about my idea for this movie before there was a title or character names. It’s very hard to pick a favorite movie of his. Durch Klicken auf "Alle akzeptieren" stimmen Sie zu, dass Verizon Media und unsere Partner Informationen durch die Nutzung von Cookies und ähnlichen Technologien auf Ihrem Gerät speichern und/oder darauf zugreifen und Ihre personenbezogenen Daten verarbeiten, um personalisierte Werbung und Inhalte anzuzeigen, für die Messungen von Werbung und Inhalten, für Informationen zu Zielgruppen und zur Produktentwicklung. My other movies end at their lowest emotional point. Christopher Abbott in Peril. I do now! That’s a big reason I think “Waves” clicked into place. Absolutely. Everywhere he turns, someone wants something from him, and what you feel, as the pressure builds in It Comes at Night writer-director Trey Edward Shults’s tightly strung screenplay, is just how lonely 18 can be. Kel and I talked early on about the idea of making it a black family with universal issues but still keeping things specific and authentic. To install click the Add extension button. So this was just taking it a step further. It’s really powerful and incredibly inspiring. Even with “Krisha,” it was inspired by family members, but not literally my life. Trey Edward Shults’s Fractured Family Portraits, https://www.nytimes.com/2019/11/17/movies/trey-edward-shults-waves.html, Most Read: Barry Jenkins’s ‘The Underground Railroad’, The director drew on his own life for “Waves,” but when he was shooting the film, he realized, “I’m terrified. The film, which features searing performances by Sterling K. Brown, Kelvin Harrison Jr. and the newcomer Taylor Russell, is told in two parts, each of which revolves around a love story. Trey Edward Shults' Waves is a wrenching tale of forgiveness that plays with narrative and form. At 31, the director of “Waves” has made his third and most personal film about how families come together and fall apart. I put it all into this movie. If I checked your Notes folder on your phone … nothing? ; Post-Screening Q&A with Shults, Harrison, Jr., Sterling K. Brown, Alexa Demie, Taylor Russell, and Renée Elise Goldsberry. Discover short videos related to trey edward shults krisha on TikTok. There is something troubling about a film with this power; it lingers, it continually makes you relive its emotional crescendos as if you lived them yourself. Wenlei Ma wenleima news.com.au July 8, … Trey Edward Shults (TES): No, it just kind of came out. Was this always a story with two parts for you? Trey Edward Shults: Music was a huge part of my life in high school, and I was pretty music hungry. Travis (Kelvin Harrison Jr.) is a 17-year-old boy who lives with his parents in a huge wooden house in the woods. A scene from “Waves, featuring, from left, Kelvin Harrison Jr., Taylor Russell, Sterling K. Brown and Renée Elise Goldsberry. That's it. Trey Edward Shults. Watch popular content from the following creators: TrivialBroker(@trivialbroker), Kloe(@bbygrlklo), seth(@holzawn), :<(@zaysti), The Movie Cult(@themoviecult) . That being said, I had time with it after I initially wrote it, and as it got made, I was conscious of that stuff, but I really wanted to keep intact what it was that came out of me in the initial three days that I wrote it. We were able to get something like 14 of us there, so the first time we were all together in Southern France, it hit me how unreal it was. It changed everything. Talking to your loved ones and really breaking down those barriers is hard. It’s made me want to lead a life that I’m proud of, care for the people I love and salvage bad relationships. These are edited excerpts from the conversation. But it started from a really personal place and a personal script. How did you handle writing one as a white person? Earlier this month, over coffee in New York’s Washington Square Park, Shults, whose broad, slightly hunched shoulders attest to his own high-school wrestling days, discussed the personal origin of “Waves” and how thinking about mortality influences his work. And then Kelvin and I loved each other and wanted to do this thing together. Absolutely. Raging Bull is one I go back to, and there’s something between the expressionistic filmmaking of those boxing matches. I mean, I have gibberish notes and random stuff, but not any real ideas. Watch popular content from the following creators: TrivialBroker(@trivialbroker), :<(@zaysti), Krisha(@kperaren), krisha(@krishifishy), krisha(@krishifishy) . What made it the worst feeling in the world? He would point out things in the script that didn’t feel right, like, “Actually, my dad would tell me this,” or “We’d do it like this.” Then I’d write a new version. I’m shaking a bit just thinking about it. In 2013, 10 years after he lost contact with his biological father, Shults paid him a final visit as he was dying from pancreatic cancer. Just know it’s a sweeping melodrama that solidifies Shults as one of the defining American voices of the decade. He’s an insomniac plagued with strange dreams. The emotional ideas he had been trying to communicate had been lost in translation, drowned out amid an ancillary debate over the film’s genre credentials. They preoccupy his work to a degree that is difficult for him to explain. “Waves,” Shults’s new movie, released Friday, also includes a scene with a character offering clemency to a dying father, but this time he has dispensed with the supernatural packaging. I had never expected our little movie would bring us there. There’s just a neo-realism in the dynamic between him, his brother, and his wife. I made my first movie with the people who I love and who are closest to me, and that’s what I believe in. I think coming that close to death spiritually changes you, and it changes your perspective. And what are the things that get in the way of that?”. “It Comes at Night” is the story of two families brought together by a type of zombie apocalypse, unsure of if they can trust each other. I didn’t think this through. The microbudget drama (made for $30,000), mined from a deep well of Shults' own family trauma, chronicles a Thanksgiving family reunion from the perspective of the titular middle-aged woman. Quite the same Wikipedia. With Kelvin as Tyler, obviously that means you’re dealing with a black family. Director Trey Edward Shults' latest film, Waves, stars Kelvin Harrison Jr., Sterling K. Brown and Vancouver actor, Taylor Russell. Trey Edward Shults: Honestly, I don’t know if one moment stands out. Did you ever think, “Actually, maybe I should steer clear of this?”. Haz tu selección entre imágenes premium sobre Trey Edward Shults de la más alta calidad. Nothing. Audio Commentary with Writer-Director Trey Edward Shults and Actor Kelvin Harrison, Jr..; Creating Waves — The Truth in It All: A 14-minute making-of EPK featuring interviews with Shults and his cast. Sie können 'Einstellungen verwalten' auswählen, um weitere Informationen zu erhalten und Ihre Auswahl zu verwalten. When I started writing, we would do mini-therapy sessions over text and phone calls where we would talk about our experiences at that age and growing up upper-middle class in the South. This just felt more like where I’m at now as a human being. Is it any wonder, then, that Trey Edward Shults‘ 2015 debut Krisha feels so very relatable (and horrifying) to anyone who’s had to endure an uncomfortable Thanksgiving? Just better. Daten über Ihr Gerät und Ihre Internetverbindung, darunter Ihre IP-Adresse, Such- und Browsingaktivität bei Ihrer Nutzung der Websites und Apps von Verizon Media. You can just let it all go.”. In “Waves,” there’s a character who, like you, visits his estranged father on his deathbed. I saw him as a human being in a totally new way, and it changed our relationship. Waves writer-director Trey Edward Shults says he employed a trick familiar to anyone who’s ever had to turn in a writing assignment that is too long or too short: He fudged the margins on his script.. Shults said at a recent SCAD Savannah Film Festival screening that an insurance company on Waves worried he couldn’t shoot his full script in the time he had planned. He sneaks around the dark halls and passageways late at night when he should be sleeping. Definitely. The whole experience was so surreal. I had a lot of resentment toward my stepdad for a long time, just because of the way he pushed me and because of our different personalities. “The most powerful, emotionally shattering debut picture I’ve seen in years,” is how I described writer/director Trey Shults’s Krisha in these pages shortly after it won both the Grand and Audience Prizes at the 2015 SXSW Film Festival. I didn’t think this through. The first teaser for the feature included a striking look at a bruised and … Shults’s biological father struggled with alcoholism and addiction and was an infrequent presence in his life. What am I doing?”. There were some moments in creating those scenes where I was like, “I’m terrified. About halfway through Trey Edward Shults’s Waves, high school senior Tyler Williams (Kelvin Harrison Jr.) and his stern father, Ronald (Sterling … Klicken Sie hier, um weitere Informationen zu unseren Partnern zu erhalten. Trey Edward Shults: Music was a huge part of my life in high school, and I was pretty music hungry. I think about that every day now. The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. His girlfriend, Alexis (Demie), is facing a crisis. Clichéd as it may sound, Trey Shults is an American director, writer, producer, and actor. Wife-and-husband duo Jasmila Zbanic and Damir Ibrahimovic tell Screen about the challenges mounting Quo Vadis, Aida? Black Panther and This Is Us star Sterling K. Brown talks about fatherhood, his new movie Waves and working with director Trey Edward Shults. Wri/Dir: Trey Edward Shults. The relationship between Harrison and Brown’s characters is based in part on Shults’s relationship with his stepfather. When you’re writing something like that, do you think about how much of yourself to put onscreen? The answer? I felt like, “What if I die tomorrow and this is all I have to show for myself?” I got this urge to put everything I had as a human being into something that I felt proud of, so that if I passed away at least I would have done something. Trey Edward Shults (born October 6, 1988) is an American film director, producer, writer, and actor. I don’t want to make another movie until I have something that I believe in 100 percent, and I feel like I’ve got to live more life and get more perspective before I’ll have anything else that I can contribute. We don’t want to spoil Waves either. The first focuses on Tyler, a determined but volatile high-school wrestling prospect, and the second on Emily, his soft-spoken and emotionally adrift younger sister. Trey Edward Shults 557.5M views Discover short videos related to Trey Edward Shults on TikTok. Trey Edward Shults's nail-biting post apocalyptic thriller will mess with your head for weeks. A character in Shults’s second movie, “It Comes at Night” (2017) — a meditation on grief and frailty in the guise of a postapocalyptic horror film — consoles her dying father using the same words Shults said to his: “You don’t need to fight it. Adding to the authenticity, Shults’ mother and grandmother also take roles in the movie, along with the director himself. “History never repeats itself but it rhymes.” That Mark Twain quote is a wonderfully reoccurring motif that pops up in Waves, the third film from writer-director Trey Edward Shults (Krisha, It Comes at Night), a stunning examination of the dynamics of an upper-middle class African-American family, teenage relationships, trauma and forgiveness. Though “It Comes at Night” received strong reviews, Shults, who at 31, has quickly joined the vanguard of American independent film, was dismayed by reactions to the movie. 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